“A Frightening Transformation You Can’t Understand” — Talking With the Creators of BEHEMOTH

Behemoth-Panel10Writer Chris Kipiniak and artist J.K. Woodward have both been around the comics industry for years, with marquee franchises like X-Men, Spider-Man, and Star Trek under their belts. But BEHEMOTH — a digital comic series about monstrous mutant teens fighting for their lives — is their first creator-owned project, published by Monkeybrain Comics. Wondering how these two talented dudes came together — and how it’s been going — Letter Better sat them down for an interview to discuss all things BEHEMOTH.  

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Don’t Let Anyone Tell You No

Upton Sinclair: Self-published "The Millennium" in 1924.

It was surprising to see such a resurgence of the “Self-publishing isn’t valid” meme in 2010. We thought that particular dinosaur was extinct by now, didn’t you? In retrospect, it shouldn’t have been such a shock considering the advent of the iPad and the Kindle. It makes sense that the sudden removal of production and inventory management as obstacles to self-publishers would scare up some defensive posturing from traditional publishers. What we want to say, unequivocally, before the madness keeps stirring, is twofold:

  • Publishers, never fear! You are necessary (for certain things)
  • Self-publishers, never fear! Your process is totally legitimate (for certain things)

We’ll get more into those two ideas in a minute but first, we would love to see an immediate end to the defensive posturing. You don’t have to tear down the concept of self-publishing in order to justify the need for traditional publishing. And self-publishers don’t have to keep insisting that they are on a track to “real” publishing. The book is the thing, not the means of connecting the book to its audience. The world hasn’t ended; it has just changed. Before, authors had to wait to get noticed by someone else. Now, authors have choices to make. Here’s what we think they are.

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